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The Republic of My Imagination

Arab, Armenia, Armenian, Asia, Assyrian Empire, colonialism, community, Contemporary Art, Culture, Diaspora, Digital Art, family, Feminism, Foreign Relations, futurism, Genocide, History, hu, human rights, identity, Identity, indigenous people, lgbtq, middle, Middle East, middle east, motherhood, mythology, photography, pol, Politics, portraiture, queer, Religion, religion, SWANA, Video, War, Western Asia

This series of portraits includes people from many different SWANA backgrounds. They connect and converse, developing feelings of closeness as we collaborate on their portraits. The portraits imagine the republic that could’ve been and the world that could be, building on the cultures of our ancestors. They call for broader solidarity within the SWANA region. They envision the liberation we could share, especially when we open ourselves to the marginalized voices of queer, feminist and other groups. We want to be seen, heard, known in all our identities, as Americans and as the descendants of our ancestors. We choose to be our authentic selves, without orientalising stereotypes, because there’s nothing more powerful than living your authentic truth.

When asked why people wanted to collaborate on this project, common themes of identity, community, healing and hope emerged. The people who collaborated on this project come from across the US, as well as Armenia, Canada, and Mexico. Some of them are friends who loved the idea of building community for a better future. Some are strangers who answered a call on social media for people interested in SWANA futurism and my vision of identity, community, healing, and hope.

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